On the Hierophant Road–New Story Collection!

Far ahead down this strange and winding road await fourteen visions of alternate realities. Worlds of the distant past and the far future. Worlds where people forget they possess the power to fly, where artists’ creations overtake their creators, and where the bond of human and machine defines existence. Worlds where magic changed history, reality runs fluid, and planets imprison terrible secrets. Worlds within worlds where technology makes people into ghosts who possess bodies, where refugees from another dimension shatter everyday life, and where answers to the mysteries of existence lie on the far side of an all-encompassing darkness.

From a forgotten sitcom about walruses to the truth behind an interplanetary war, from the steampunk streets of New Alexandria to an enigmatic flood world where people surrender themselves to things that live beneath the water, each of these stories marks a single stop….on the Hierophant Road. Featuring the all-new novella, “Long the Night and Low the Flame.”

Order from Raw Dog Screaming Press. (Preorder here for signed hardcovers.)

Order from Amazon.com.

Order from Barnes and Noble.

WHAT THEY’RE SAYING

“Chambers enthralls with this disquieting and eclectic collection of bizarro tales which span the galaxy, the ages, and the human psyche, On the Hierophant Road reasserting his role as a veritable master of new pulp.”—Lee Murray, two-time Bram Stoker Award®-Winner and author of Grotesque: Monster Stories

“…the work really sings when its weirdness is married to narrative tropes readers know well. Readers searching for something unexpected will find a lot to admire in this ambitious, inventive collection.” —Library Journal

“These tales are united by their slightly askew proximity to reality with just enough detail to immerse readers in the well-built worlds and sympathetic protagonists, both of which drive each story. All are satisfyingly unsettling, with tones ranging from existential terror to an uneasy sense of awe. For fans of the new breed of dark-speculative-fiction writers who actively play with genre confines to create reads that are inventive, thought-provoking, and creepily fun…” —Booklist starred review, Becky Spratford

A New York State of Fright–Bram Stoker Award® Nominee!

Exciting news! The Horror Writers Association has announced the final ballot for the 2018 Bram Stoker Awards®, and A New York State of Fright is nominated in for Superior Achievement in Anthology! Congratulations to all our contributors, my co-editors–April Grey and Robert Masterson–and our publisher, Derrick Hussey, Hippocampus Press. Congrats as well to all the other nominees in our category! You can read the full ballot here.

Enter the shadows of New York’s dark secrets and haunted past!

From a city and state that have witnessed all manner of menace—from serial killers and corrupt political machines to natural disasters and terrorist attacks—come twenty-four visions of dread from New York horror authors—all to benefit the next generation of New York writers. Presenting stories set in New York locations, A NEW YORK STATE OF FRIGHT gathers tales by new and established writers who give voice to New York’s everyday fears, macabre mysteries, and worst nightmares.

To help New York’s rich literary tradition endure into the future, the authors, editors, and publisher of A NEW YORK STATE OF FRIGHT pledge to contribute all proceeds to New York City’s Girls Write Now non-profit organization, which pairs at-risk teen women interested in writing with professional writing and career mentors. Find out more at www.girlswritenow.org.

Available in paperback and e-book!

RAW DOG SCREAMING PRESS SIGNS JAMES CHAMBERS

I’m beyond thrilled to share this announcement that Raw Dog Screaming Press will be publishing two collections of my short fiction! I couldn’t be happier about working with John Edward Lawson and Jennifer Barnes. After knowing them for many years and reading many of the outstanding books they’ve published, it’s truly an honor to be part of RDSP’s list.

PRESS RELEASE

Raw Dog Screaming Press is excited to announce that a two-book deal has been signed with author James Chambers. The agreement is for a pair of short story collections to be published over the next two years. The first, On the Night Border, is horror themed, features the Bram Stoker-nominated short story “A Song Left Behind in the Aztakea Hills,” and will be released later in 2019. Poet and author Linda D. Addison has agreed to write the introduction. The second collection, The Price of Faces, focuses on Chambers’ science fiction and fantasy themed stories and will be released in 2020. Italian artist Daniele Serra has been commissioned to paint both covers.

“After knowing Jim for so long we’re very happy to finally be able to work with him on a full-length project,” says RDSP owner John Lawson. They first met at Horrorfind in 2003 and one of Chambers’ stories was included in the second book RDSP ever published, Sick: An Anthology of Illness. “I can’t wait for people to read On the Night Border,” says editor Jennifer Barnes. “While many readers may be familiar with Jim’s Stoker-nominated story, there are several fantastic unpublished works included and it’s a great mix of his historically-inspired and Lovecraftian tales with more visceral present day horror. I was very impressed with the depth and quality of this collection.”

Jim has been contributing to the horror genre for many years and in more ways than one. While his writing has been recognized with a Bram Stoker Award® for the graphic novel, Kolchak the Night Stalker: The Forgotten Lore of Edgar Allan Poe and a Stoker nomination for his short story “A Song Left Behind in the Aztakea Hills” he has also been a tireless volunteer for his fellow authors receiving both the Richard Laymon Award and the Silver Hammer Award for his volunteer work with the HWA. He coordinates the New York chapter of the HWA and has supported endeavors like the Girls Write Now charity as an editor of the anthology A New York State of Fright and helping to organize a reading to celebrate Women in Horror month.

A release date will be set soon. Reviewers interested in receiving advance copies can contact books (at) rawdogscreaming.com.

An Interview with Author and Editor, Danielle Ackley-McPhail / Part 6 of 6

The final part of my conversation with Danielle Ackley-McPhail, casting an eye on the nuts and bolts of creating anthologies, finding an audience, making the most of the convention circuit, and Dani’s most recent projects and ventures. Thanks all for reading! (Read Part 1, Part 2, Part 3, Part 4, or Part 5.)

You’re known as one of the most successful anthology editors in the specialty press, having edited, co-edited, or worked on nearly a dozen anthologies in the past decade and helped to launch them. How does your role as editor shape your work as a writer?

Well…thank you again. Editing anthologies came out of my love of creating books, something I have been doing for thirty-two years. I get ideas, I find the twist, and then I am driven to complete the project. Mostly they come about because I want to explore whatever concept has captured my mind. Consequently, of all of the anthologies I’ve been involved with in an editorial capacity only two of them do not contain stories I’ve written. So…in that context my editorial work shaped my writing by enabling me to explore some fascinating concepts as I found my tale to fit the theme. Conversely, in most other ways my editorial work just gets in the way. I find I’m so busy dealing with production and administrivia (not my phrase, though I absolutely love it!) that my writing often comes in last minute as I scramble to get my story done before we have to go to press. That, in fact, is why I only have an introduction in Bad-Ass Faeries: It’s Elemental… I just couldn’t draw my story together fast enough and we were out of time. This is the first volume in the series that doesn’t have a Wild Hunt tale. I’ve started it, but I just haven’t had time to find my way to the end. I’ll likely post it on the Bad-Ass Faeries website (www.badassfaeries.com) as a bonus freebie once it’s done.

BAF4_ElementalLooking at it first from a writer’s perspective then from an editor’s, what’s do you think it takes to connect with science-fiction and fantasy readers today?

Oh… this is so hard to say… everyone has their own tastes when it comes to fiction. And I don’t think you can really break it out by editor and writer because there is too much overlap. Good fiction, originality, excitement. And as a writer I would add a solid connection to the characters, but that is me, as I am a writer of character-driven tales. Yet I know there are those readers out there who couldn’t care less about the characters, they want the action… You know. I think in the end it comes down to one thing: whether you are in the character camp or the action camp, you have to make the reader care. It is as simple as that.

To what extent do you think a shared connection with readers, such as common interest in fandom activities or a regular presence at conventions, contributes to succeeding as a writer versus simply publishing good writing?

I don’t know how it is for every author, but I know that I would not be where I am without my personal connection with my fans. I sell more books in person than I do on-line, with much more repeat customers because they know me. They can talk to me about what they liked and what they didn’t, we can chat and hang out at a convention. Now there are a lot more authors out there that are wildly successful who don’t do this, but most of those have a big-house publisher behind them feeding the distribution machine. And even so, I say an author that gets out and moves among their following has a stronger, more loyal fan base than one who stays up on their pedestal typing away, without connecting to their readership.

In terms of bringing great fiction to your readers, how do your goals as an editor differ from those as a writer?

Whatever hat I’m wearing, I love to create cool books. I love to share the unexpected and the wonderful with readers. Sometimes it works and sometimes it doesn’t, but that goal is always the same.

DAMInt_WordFantasyYou’re very well plugged in to the regional science-fiction/fantasy convention scene, appearing at several cons each year, often hosting launch parties for new publications. What advice can you offer to writers about connecting with readers, editors, and publishers at these conventions?

Talk. Listen. Socialize. Don’t pitch or pimp or continually drag focus only to your book or manuscript. Build a relationship, don’t just try and make a connection. We’re all there to have fun in a community where we are comfortable and can relax. Being pushy or obnoxious gets in the way of that and will turn people off more than anything.

Where should a reader who hasn’t yet read your work start? Give us some suggestions from your short fiction as well as your long fiction.

Well… any of my first novels are good places to start, depending on the reader’s taste: Yesterday’s Dreams (Celtic urban fantasy), The Halfling’s Court (biker faeries – urban fantasy), or Baba Ali and the Clockwork Djinn (historic/steampunk fantasy). After all, who wants to start with book two of a series. J As for the short fiction. If a reader is partial to science fiction it would have to be the short story collection A Legacy of Stars, which contains the bulk of my sci-fi stories. For fantasy I have a collection called Transcendence coming out later this year from Dark Quest Books. It contains a nice chunk of my fantasy stories. As for individual stories… that is so much harder to recommend. I just can’t do it. Each one contains some kernel of wonder that I love, and all of them are so different from the others. There is no comparison, no way to guide someone to ease their way in. Best to leap in with both feet. J

What should readers look for next from Danielle Ackley-McPhail?

Oh goodness! Who knows what mischief I’ll get into next! I certainly don’t. There are a number of on-going projects in the works. For anthologies I’m editing: Gaslight and Grimm, Eternal Flame, The Society for the Preservation of CJ Henderson, and The Transdimensional Adventures of the Miracle Mead Men. Those I’ve contributed stories to that are coming out this year are: Dance Like a Monkey, Athena’s Daughters, Hellfire Lounge 4: Reflections of Evil, and Lucky 13. Novels I’m working on are The High King’s Fool: A Bad-Ass Faerie Tale, Daire’s Devils (military science fiction), an as-yet unnamed sequel to Baba Ali, and an unconventional vampire novel looking for a new name. So…I guess readers should expect pretty much anything!

To follow Danielle’s projects, learn more about her, or buy her books, please check out her website and visit her Amazon author page. Also, look for her on the convention circuit where she’s a steadfast con presence up and down the east coast.

Qualia Nous Garners a Benjamin Franklin Award

Congratulations to editor Michael Bailey and Written Backwards Books!

Qualia Nous, nominated for a Bram Stoker Award(R) for Superior Achievement in Anthology as well as for Foreword Reviews’ Book of the Year, has taken the Gold Award for Science Fiction and Fantasy at the Benjamin Franklin Awards. My story, “The Price of Faces,” is in the book, along with a selection of wonderful fiction and poetry. Great time to check out one of the most exciting anthologies published last year. Michael’s next anthology project, The Library of the Dead, will be published next month.

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A Clockwork Chaos

Dark Quest Books has published my steampunk tale, “A Cat’s Cry in Pluto’s Kitchen,” in A Clockwork Chaos, edited by Danielle Ackley-McPhail and Neal Levin, available in print and ebook. Although this is the second story of Morris Garvey and Machinations Sundry to be published, it’s actually the first one I wrote. Mystery and danger surround a stolen violin when the Cult of Bast returns to New Alexandria, and Morris Garvey must uncover the true motive behind the theft. The first published Machinations Sundry tale, “House of Automatons,” appeared in In an Iron Cage. The third Machinations Sundry story, “In Wolf’s Clothing,” is due out in 2014, details to come. A Clockwork Chaos include stories by Jeff Young, CJ Henderson, Patrick Thomas, Angel Leigh McCoy, James Daniel Ross, Gail Gray, N.R. Brown, and many other fine writers.

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An Interview with Emma Audsley of The Horrifically Horrifying Blog

Last month the Horror Writers Association newsletter published my interview with Emma Audsley as part of the Fresh Blood interview series, which spotlights new members. Emma Audsley is editor of The Horrifically Horrifying Blog and founder of Screaming Spires Publishing. I interviewed Emma via e-mail about her work as an author, editor, and joining the HWA for the following article, originally published in the HWA Newsletter, October 2013, Volume 23, Issue 159.

Emma Audsley traces her love of horror back to her childhood years, growing up in a Royal Air Force (RAF) camp until age six when she moved to Manchester. One constant in her life was her love of reading and especially of the horror genre. “Bram Stoker had lead onto Stephen King and just swept me away after that! I’d grown up writing little stories.”

The horror genre is the only genre that has kept her interest throughout her life. The genre attracts Emma because it allows her to “explore all of the central and essential aspects of life safely. This can offer you a deeper perspective upon those aspects that are usually a little tricky to explore head on; death, loss, threats to survival, insanity. You can oversee a character’s plight through the most terrible things that could ever possibly imagine and allow your brain to formulate ideas upon which they could fight back, or perish depending on how you want the ending to be!”

Her love of books and stories led her to study literature and psychology in college. Then, about seven years ago, she returned to the pursuit of writing and editing, reading the work of some of her author friends. After offering advice on their works in progress, she moved on to beta reading and critiquing their work. A course on editing and copy writing followed, and she continued reading for friends, or as Emma put it, “using them as guinea pigs…willing guinea pigs, don’t worry!”

Her first paid edit work came after she completed her course when she connected with David Youngvist of Dark Continents Press. Emma worked on Southern Fried Ghosts, David’s non-fiction collection of accounts of supposed actual hauntings in the American South, a region with a rich tradition of supernatural and ghostly folklore. In addition to editing, Emma contributed some research to the project.

“I love to help,” Emma says about editing. “I’m happy to go above and beyond my call to assist a writer when they’re doing it for the right reasons. It’s a scary thing, releasing your own work, especially if the writer is new to the field. When creativity is to flourish it needs all the essentials to grow, I just help with the watering and pruning… I try to close the gap between editors, agents, and mentors to offer all the support I can.”

After settling into freelance editing novels for a while, Emma decided to challenge herself yet again.

“I started The Horrifically Horrifying Horror Blog in October 2011, on Halloween just to be as corny as I could get!” Online at http://thehorrificallyhorrifyinghorrorblog.com/, The Horrifically Horrifying Horror Blog boasts the goal of “Inspiring Ghouls of the Fictional World of Horror Everywhere.” The blog features reviews of books and movies, author interviews, writing resources, articles on writing, picture prompts for writers, and several other features.

With the blog up and running, Emma took another big step, making the leap from editor to publisher when she founded Screaming Spires Publishing in the summer of 2012. “I’m currently editing our first anthology When Darkness Calls, a charity publication. It’s to benefit children with autism, something very close to my heart as my own two children are autistic.” Calling on the many friends she’d made through her editing work and The Horrifically Horrifying Blog, Emma found it easy to assemble her first anthology. “I had many friends who wanted to contribute. I’d asked some friends, such as Gary McMahon, Graham Masterton, Allison Littlewood, and Ramsey Campbell if they would consider contributing a short story of good old-fashioned horror…they all came through for me.”

Co-editor of the anthology, Mark Waddington, “started out the same way I did; editing for fun! Donnie Light offered his services as the formatter. As for the cover art and press logo Daniele Serra has been a lifesaver. I’ve always admired his work and when I’d asked for his help he had the initial cover ideas ready in an hour. Ellen Datlow has been a wealth of knowledge too. She’s a great friend and advisor.” With work moving ahead steadily, When Darkness Calls is scheduled for publication this December as Screaming Spire’s inaugural release.

Emma’s work on the anthology has coincided with a difficult time in her life, and she credits the friendship and support of those involved with the project as helping her through it. “I had to have an operation in a cancer unit in late October [2012]. I’d been told it was secondary skin cancer, a melanoma. Thankfully it wasn’t secondary. The surgeons got all of it. But there was a problem with the surgery and some nerves in my leg were severed accidentally. The anthology, my family, and my friends all came through for me, supporting me all the way through being in a wheelchair permanently.” Now starting physical therapy, Emma hopes to regain at least partial use of her leg. There are no guarantees of success, but so far she’s attended a couple of book launches walking with a knee brace and a walking stick.

Another personal challenge for her as an editor and publisher stems from a head injury she received during a physical attack back in 2000. “I developed epilepsy. It’s uncontrollable. My only hope of a more “normal” life will be CAN surgery. Obviously seizures take your consciousness away, and this does get in the way of my working life. But I work around it, over the years I’ve developed little tips and tricks in maintaining my health and well-being to the best of my abilities. That’s what you just have to do; adapt, adopt, and change anything you can. But it is possible to still do what you yearn to do, there’s nothing like a strong will to get you to where you need to be.”

 Most recently, Emma has endorsed a book by Craig Saunders, The Walls of Madness, published by Crowded Quarantine.

Although Emma admits, “I never seem to finish my own fiction!” she has accomplished much in only a few years, overcoming major health issues to launch two publishing ventures and earn a reputation as an excellent editor. Her next big project on the horizon is a collaborative novel with some of her anthology contributors to be written in 2014.

Emma joined the HWA to become more active in the horror community. The HWA is “such a fantastic source of information and support for writers and professionals with everything to offer. From support and advice on every aspect of writing, to the overseeing of projects, and the awards ceremony is, of course, the highlight… I think it’s great to have such a strong association with so many other professionals involved making sure the pulse of the genre stays strong and steady.”

“I want to become more involved practically within the HWA, it’s vital to keep writers doing what they do best. What would we do without these fantastical worlds they create? Obviously I’d like to…further my skills and capabilities whilst being fully supported within the structure of the association, offer help to writers in need, and help the HWA go from strength to strength, become a part of the  various programs on offer in support of professionals and those seeking to develop their own voice within the genre. Maybe join the board one day? <smiles cheekily>.”

The 2012 Richard Laymon Award

Finally catching up on some photos from the 2013 Bram Stoker Award® Weekend/World Horror Con and came across this one snapped by my wife at the end of the Bram Stoker Awards Banquet. It was a tremendous honor to have received the Richard Laymon Award from the Horror Writers Association. As a mentor to young writers and as past president of the HWA, Richard Laymon accomplished a great deal for the horror community–and, of course, he authored many, many great horror novels and stories! He’s rightly considered a genre legend. Receiving an award named in his honor says much about the amazingly creative and supportive horror writing community. Details from the full announcement are still up on the HWA site. My thanks to Rocky Wood, HWA President, who selected me for the award. The Banquet, down in New Orleans, was a wonderful event. Full video is available for viewing on the HWA website.

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The Books Are Free But Magic Has Its Price

“Gorge released note after blistering note, and the audience soaked up his music like a rain of razor blades. They danced, whirled, and smashed together; they bled magic that flowed across smoky air, shimmering red and yellow with flashing stage lights, to feed the hungry core inside him. He hadn’t felt magic this pure and vibrant since his days in the Kingdoms; how ironic, he thought, to find it among these nihilistic, rebellious, angry young mortals. His left hand throttled the guitar neck, fingertips gliding among the frets, tapping and pulling the strings to slash out biting riffs until he reached a crescendo—

—and then let it all come crashing down.”

So begins my new novella, Three Chords of Chaos, a faerie-punk love story about music, mortality, decadence, and dark forces.

Published by Dark Quest Books, it will officially be released on May 31—but if you can keep a secret, head on over to Amazon, where it’s already available for order. Or if you’re the kind of bare-knuckle reader who likes your books the old fashioned way—free!—then check out my giveaway contests over on Facebook and Goodreads. Three Chord of Chaos follows Gorge and his mortal lover Delilah as they navigate the smoky shadows of the Big Apple’s underground punk clubs and the kinky, drug-fueled parties of the music world’s elite. A blend of punk music, urban fantasy, and evil forces, Three Chords of Chaos explores the dangerous nexus of faerie and mortal worlds where Gorge lives life on the edge.

The first time I wrote about Gorge was in “The Way of the Bone” (Bad-Ass Faeries: Just Plain Bad), set in the present, when Gorge stood at the top of the music world, playing to arena crowds, and moving ever closer to the darkness he sought to send to his enemies in the realm of the sidhe. In “Faerie Ring Blues” (Bad-Ass Faeries: In All Their Glory), I went back to 1960, only a few years after Gorge’s exile when Gorge learned how to live in the mortal world. Now, in Three Chords of Chaos, the time is the early 1980s, the place is downtown NYC, and Gorge comes into his own as he begins to understand how much magic and power there is for the taking in the mortal world—but also how deadly and vicious mortals can be.

Reviews for Deep Cuts

Reviews have started popping up for the recently released Deep Cuts, including one from Darkeva’s Dark Delights and another from Word Blurb. Many thanks to Dark Eva for calling out my story as “one of the most disturbing.” Deep Cuts is unlike any other anthology in which I’ve been published, a collection of new fiction that directly acknowledges the accomplishments and influence of women horror writers. With more than 60 concise blurbs for great horror written by women, it’s also a road map to some of the best short fiction that has shaped the genre. I’m incredibly proud to be part of it and happy to see it receiving some thoughtful commentary.

 

Engines of Sacrifice Review in Lovecraft eZine

“The book is so Lovecraftian, in fact, that it could read as pastiche, were it not for the subtle meta-critical stance Chambers takes with the narrative, particularly towards the final moments. It’s this aspect of Engines that I really enjoyed, the way Chambers directly addresses the erroneous “kaiju terror” interpretation of the Mythos…”

It would seem I should Google myself more often.

I did so last night and unearthed a wonderfully thoughtful review of The Engines of Sacrifice by S.R. Jones on the Lovecraft eZine. Any writer will tell you how nice it is to read a review written by someone who really got what you were going for. Well, Mr. Jones really got The Engines of Sacrifice, warts and all, as he makes no bones about noting what he thought didn’t work as well as what did in his remarkably insightful and generally positive review. At the end of the day, many book reviews boil down to little more than one reader’s opinion. The best expand the conversation started by a piece of fiction–this  (in my opinion) is one of those.

 Thank you, Mr. Jones.

I Was a Weblog Dropout

Welcome to my new website and blog!

If you visited my old website more than, say, half a dozen times, you probably noticed that I didn’t update it often. That’s because it was a lot of work! Whenever I had time to spare, getting some real writing done usually trumped wrestling with my .html editor to update my site. I’d built the thing clunky and hard to maintain, and through multiple computer switches and software changes, it only became more difficult to work with.

Not so this new, spiffy site built using WordPress!

Click around a bit and you’ll find plenty of information about my published and forthcoming works, such as The Engines of Sacrifice, soon to be published by Dark Regions Press. It’s already getting some great reviews that I’ll be posting here soon. There are also lots of free stories and excerpts to read and even a video. And as time goes by, I’ll be adding some new features and content.

The biggest change, though, is probably the addition of a functional blog.

This is not my first attempt at blogging. That came circa 1997. Since Webster’s officially dates the first known use of the term weblog or blog to 1999, that makes me a genuine Internet pioneer. Heck, I was blogging before there was a word for it. Back when I was running www.shadowhouse.com to support my comic book Shadow House, I was making regular posts to the website and soliciting comments from readers. That’s blogging, right? Of course, that was all pretty much over in 1998, which means I’m also an Internet pioneer at quitting blogging!

I was so ahead of the curve I started blogging then quit before there was even a word for it. I should’ve been a dotcom millionaire, but I gave it all up to write fiction and comics.

What can I say? I needed more face time in my life.

But that wasn’t the only time I quit blogging, either. Nope, here’s my last post, from 2010 for my oft-neglected Blogspot blog. That went a little better, running about three years.

So what makes this latest blogging attempt different?

Well, that’s the question, isn’t it?

Stick around and find out.