{"id":1172,"date":"2020-01-20T15:46:00","date_gmt":"2020-01-20T15:46:00","guid":{"rendered":"http:\/\/www.jameschambersonline.com\/blog\/?p=1172"},"modified":"2021-02-25T00:40:24","modified_gmt":"2021-02-25T00:40:24","slug":"on-the-night-border-on-bram-stoker-award-preliminary-ballot","status":"publish","type":"post","link":"http:\/\/www.jameschambersonline.com\/blog\/2020\/01\/on-the-night-border-on-bram-stoker-award-preliminary-ballot\/","title":{"rendered":"On the Night Border on Bram Stoker Award Preliminary Ballot"},"content":{"rendered":"\n<p>I&#8217;m honored and thrilled to see that <em>On the Night Border<\/em>, published by Raw Dog Screaming Press, appears on the Bram Stoker Awards\u00ae Preliminary Ballot! It&#8217;s wonderful to see this collection continue to receive such a positive response from readers and the horror community! Congratulations to all those whose work appears on the ballot. This is a pretty amazing list, which I&#8217;ve posted here in full, and if you&#8217;re looking for some great horror you will certainly find it here.<\/p>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.jameschambersonline.com\/blog\/wp-content\/uploads\/2019\/09\/On-the-Night-Border-by-James-Chambers-683x1024.jpg\" alt=\"\" class=\"wp-image-1114\" width=\"342\" height=\"512\" srcset=\"http:\/\/www.jameschambersonline.com\/blog\/wp-content\/uploads\/2019\/09\/On-the-Night-Border-by-James-Chambers.jpg 683w, http:\/\/www.jameschambersonline.com\/blog\/wp-content\/uploads\/2019\/09\/On-the-Night-Border-by-James-Chambers-200x300.jpg 200w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><\/figure>\n\n\n\n<p><strong>The 2019&nbsp;Bram Stoker Awards\u00ae Preliminary Ballot<\/strong><\/p>\n\n\n\n<p>The\nHorror Writers Association (HWA) is pleased to release&nbsp;the&nbsp;Preliminary\nBallot for the 2019&nbsp;Bram Stoker Awards\u00ae.&nbsp;The HWA (see&nbsp;<a href=\"http:\/\/hwa46.wildapricot.org\/EmailTracker\/LinkTracker.ashx?linkAndRecipientCode=Dj05tLT6N816ESPRBWw101M6loaY1CvZT32q6hl%2fO4%2bWCbduh%2fZwPX7YSdtcGVUwHwD6ycB%2fWf45vnEMpnP5s8qkiiOcZ%2bza2ZEwDWaHvDA%3d\">http:\/\/www.horror.org\/<\/a>) is\nthe premier&nbsp;writersorganization in the horror and dark fiction genre, with\nover&nbsp;1,600 members. We have presented the Bram Stoker Awards\u00aein various\ncategories since 1987 (see&nbsp;<a href=\"http:\/\/hwa46.wildapricot.org\/EmailTracker\/LinkTracker.ashx?linkAndRecipientCode=wGkG8EJ37u4L2PbwddRGMbzlHwI0%2fpdYk9b0d92tsDXoaPc5Lwoeh%2f9IzNgkaLMAScHK7pxYdyvl%2fPu2w57gm6TiE81KcPLmBq2aWmdoWSs%3d\">http:\/\/www.thebramstokerawards.com\/<\/a>).<\/p>\n\n\n\n<p>Works\non this ballot are not referred to as \u201cnominees\u201d or \u201cfinalists\u201d. Only works\nappearing on the Final Ballot may be referred to as \u201cnominated works\u201d and their\nauthors as \u201cfinalists\u201d.&nbsp;&nbsp;<\/p>\n\n\n\n<p>The\nHWA Board&nbsp;of Trustees&nbsp;and the Bram Stoker Awards\u00aeCommittee\ncongratulate all those appearing on the Preliminary Ballot. Notes about the\nvoting process&nbsp;will&nbsp;appear after the ballot listing.<\/p>\n\n\n\n<p><strong>2019&nbsp;Bram Stoker Awards\u00ae Preliminary\nBallot<\/strong><\/p>\n\n\n\n<p><strong>Superior Achievement in a Novel<\/strong><\/p>\n\n\n\n<p>Goingback,&nbsp;Owl&nbsp;\u2013&nbsp;<em>Coyote\nRage<\/em>&nbsp;(Independent Legions Publishing)<\/p>\n\n\n\n<p>Goodfellow,\nCody&nbsp;\u2013&nbsp;<em>Unamerica<\/em>&nbsp;(King Shot Press)<\/p>\n\n\n\n<p>Lawson,&nbsp;Curtis\nM.&nbsp;\u2013&nbsp;<em>Black Heart Boys\u2019 Choir<\/em>&nbsp;(Wyrd&nbsp;Horror)<\/p>\n\n\n\n<p>Little,&nbsp;John\nR.&nbsp;\u2013&nbsp;<em>The Murder of Jesus Christ<\/em>&nbsp;(Bad Moon Books)<\/p>\n\n\n\n<p>Malerman,&nbsp;Josh&nbsp;\u2013&nbsp;<em>Inspection<\/em>&nbsp;(Del\nRey)<\/p>\n\n\n\n<p>Miskowski,\nS.P.&nbsp;\u2013&nbsp;<em>The Worst is Yet to Come<\/em>&nbsp;(TrepidatioPublishing)<\/p>\n\n\n\n<p>Moore,\nMichael J&nbsp;\u2013 &nbsp;<em>Highway Twenty<\/em>&nbsp;(Hellbound&nbsp;BooksPublishing\nLLC)<\/p>\n\n\n\n<p>Murray,\nLee \u2013&nbsp;<em>Into the Ashes<\/em>&nbsp;(Severed Press)<\/p>\n\n\n\n<p>Nevill,\nAdam&nbsp;L.G.&nbsp;\u2013&nbsp;<em>The Reddening<\/em>&nbsp;(Ritual Limited)<\/p>\n\n\n\n<p>Taff,\nJohn F.D. \u2013&nbsp;<em>The Fearing<\/em>&nbsp;(Grey Matter Press)<\/p>\n\n\n\n<p>Wendig,\nChuck&nbsp;\u2013&nbsp;<em>Wanderers<\/em>&nbsp;(Del Rey)<\/p>\n\n\n\n<p><strong>Superior Achievement in a First Novel<\/strong><\/p>\n\n\n\n<p>Amor,\nGemma&nbsp;\u2013&nbsp;<em>Dear Laura<\/em>&nbsp;(Independently Published)<\/p>\n\n\n\n<p>Cull,\nAndrew&nbsp;\u2013&nbsp;<em>Remains&nbsp;<\/em>(IFWG&nbsp;Publishing International)<\/p>\n\n\n\n<p>Day,\nNicholas&nbsp;\u2013&nbsp;<em>Grind Your Bones to Dust<\/em>&nbsp;(Excession&nbsp;Press)<\/p>\n\n\n\n<p>Guignard,\nEric J.&nbsp;\u2013&nbsp;<em>Doorways to the Deadeye<\/em>&nbsp;(JournalStone)<\/p>\n\n\n\n<p>Hopstaken,\nSteven and&nbsp;Prusi, Melissa&nbsp;\u2013&nbsp;<em>Stoker\u2019s Wilde<\/em>&nbsp;(Flame\nTree&nbsp;Press)<\/p>\n\n\n\n<p>Lane,\nMichelle Renee&nbsp;\u2013&nbsp;<em>Invisible Chains<\/em>&nbsp;(Haverhill\nHousePublishing)<\/p>\n\n\n\n<p>Luff,\nCody T&nbsp;\u2013&nbsp;<em>Ration&nbsp;<\/em>(Apex Book Company)<\/p>\n\n\n\n<p>Moulton,&nbsp;Rachel\nEve&nbsp;\u2013&nbsp;<em>Tinfoil Butterfly<\/em>&nbsp;(MCD x FSG&nbsp;Originals)<\/p>\n\n\n\n<p>Read,\nSarah&nbsp;\u2013&nbsp;<em>The&nbsp;Bone Weaver\u2019s Orchard<\/em>&nbsp;(TrepidatioPublishing)<\/p>\n\n\n\n<p>Starling,\nCaitlin&nbsp;\u2013&nbsp;<em>The Luminous Dead<\/em>&nbsp;(Harper Voyager)<\/p>\n\n\n\n<p><strong>Superior Achievement in a Young Adult\nNovel<\/strong><\/p>\n\n\n\n<p>B\u00e9rub\u00e9,&nbsp;Amelinda&nbsp;\u2013&nbsp;<em>Here\nThere Are Monsters<\/em>&nbsp;(Sourcebooks Fire)<\/p>\n\n\n\n<p>D\u00e1vila&nbsp;Cardinal,\nAnn&nbsp;\u2013&nbsp;<em>Five Midnights<\/em>&nbsp;(Tor Teen)<\/p>\n\n\n\n<p>Ernshaw,&nbsp;Shea&nbsp;\u2013&nbsp;<em>Winterwood<\/em>&nbsp;(Simon&nbsp;Pulse)<\/p>\n\n\n\n<p>Faring,&nbsp;Sara&nbsp;\u2013&nbsp;<em>The\nTenth Girl<\/em>&nbsp;(Imprint)<\/p>\n\n\n\n<p>Gardner,\nLiana&nbsp;\u2013&nbsp;<em>Speak No Evil<\/em>&nbsp;(Vesuvian&nbsp;Books)<\/p>\n\n\n\n<p>Kurtagich,&nbsp;Dawn&nbsp;\u2013&nbsp;<em>Teeth\nin the Mist<\/em>&nbsp;(Little,&nbsp;Brown Books for Young Readers)<\/p>\n\n\n\n<p>Marshall,&nbsp;Kate\nAlice&nbsp;\u2013&nbsp;<em>Rules for Vanishing<\/em>&nbsp;(Viking Books for Young\nReaders)<\/p>\n\n\n\n<p>Nzondi&nbsp;\u2013&nbsp;<em>Oware&nbsp;Mosaic<\/em>&nbsp;(Omnium&nbsp;Gatherum)<\/p>\n\n\n\n<p>Salomon,\nPeter Adam&nbsp;\u2013&nbsp;<em>Eight Minutes, Thirty-Two Seconds<\/em>(PseudoPsalms&nbsp;Press)<\/p>\n\n\n\n<p>West,&nbsp;Jacqueline&nbsp;\u2013&nbsp;<em>Last\nThings<\/em>&nbsp;(Greenwillow&nbsp;Books)<\/p>\n\n\n\n<p><strong>Superior Achievement in a Graphic Novel<\/strong><\/p>\n\n\n\n<p>Bunn, Cullen&nbsp;\u2013&nbsp;<em>Bone Parish Vol. 2<\/em>&nbsp;(BOOM!\nStudios)<\/p>\n\n\n\n<p>Bunn,&nbsp;Cullen&nbsp;\u2013&nbsp;<em>Bone Parish Vol. 3<\/em>&nbsp;(BOOM!\nStudios)<\/p>\n\n\n\n<p>Cates,&nbsp;Donny&nbsp;\u2013&nbsp;<em>Redneck Volume\n3:&nbsp;Longhorns<\/em>&nbsp;(Image Comics)<\/p>\n\n\n\n<p>Gaiman,&nbsp;Neil&nbsp;\u2013&nbsp;<em>Neil&nbsp;Gaiman\u2019s<\/em>&nbsp;<em>Snow,\nGlass, Apples<\/em>&nbsp;(Dark Horse Books)<\/p>\n\n\n\n<p>Guillory,&nbsp;Rob&nbsp;\u2013&nbsp;<em>Rob Guillory\u2019s<\/em>&nbsp;<em>Farmhand\nVolume 1: Reap What Was Sown<\/em>&nbsp;(Image Comics)<\/p>\n\n\n\n<p>Lemire, Jeff&nbsp;\u2013&nbsp;<em>Gideon Falls Book&nbsp;2:\nOriginal Sins<\/em>&nbsp;(Image Comics)<\/p>\n\n\n\n<p>Lemire, Jeff \u2013&nbsp;<em>Gideon Falls Volume 3:&nbsp;Stations\nof the Cross<\/em>(Image&nbsp;Comics)<\/p>\n\n\n\n<p>Liu, Marjorie \u2013&nbsp;<em>Monstress&nbsp;Volume 4: The Chosen<\/em>&nbsp;(Image\nComics)<\/p>\n\n\n\n<p>Manzetti, Alessandro \u2013&nbsp;<em>Calcutta Horror<\/em>&nbsp;(Independent\nLegions Publishing)<\/p>\n\n\n\n<p>Tanabe, Gou&nbsp;\u2013&nbsp;<em>H.P. Lovecraft\u2019s At the Mountains\nof Madness Volume<\/em>&nbsp;1&nbsp;(Dark Horse Manga)<\/p>\n\n\n\n<p><strong>Superior Achievement in Long Fiction<\/strong><\/p>\n\n\n\n<p>Breukelaar,\nJ.S. \u2013&nbsp;<em>Like Ripples on a Blank Shore<\/em>&nbsp;(<em>Collision: Stories<\/em>)\n(Meerkat Press, LLC)<\/p>\n\n\n\n<p>Cluley,\nRay&nbsp;\u2013&nbsp;<em>Adrenaline Junkies<\/em>&nbsp;(<em>The Porcupine Boy and\nOther Anthological Oddities<\/em>)&nbsp;(Crossroad Press)<\/p>\n\n\n\n<p>Jones,&nbsp;Pam&nbsp;\u2013&nbsp;<em>Ivy\nDay<\/em>&nbsp;(Spaceboy&nbsp;Books LLC)<\/p>\n\n\n\n<p>LaValle,&nbsp;Victor&nbsp;\u2013&nbsp;<em>Up\nfrom Slavery<\/em>&nbsp;(Weird Tales Magazine#363)(Weird Tales\nInc.)<\/p>\n\n\n\n<p>Manzetti,&nbsp;Alessandro&nbsp;\u2013&nbsp;<em>The&nbsp;Keeper\nof Chernobyl<\/em>&nbsp;(Omnium&nbsp;Gatherum)<\/p>\n\n\n\n<p>Serafini,&nbsp;Matt&nbsp;\u2013&nbsp;<em>Rites\nof Extinction<\/em>&nbsp;(Grindhouse Press)<\/p>\n\n\n\n<p>Smith,\nFarah&nbsp;Rose&nbsp;\u2013&nbsp;<em>Anonyma<\/em>&nbsp;(Ulthar&nbsp;Press)<\/p>\n\n\n\n<p>Taborska,&nbsp;Anna&nbsp;\u2013<em>&nbsp;The\nCat Sitter<\/em>&nbsp;(<em>Shadowcats<\/em>)&nbsp;(Black Shuck Books)<\/p>\n\n\n\n<p>Tantlinger,\nSara&nbsp;\u2013&nbsp;<em>To Be Devoured<\/em>&nbsp;(Unnerving)<\/p>\n\n\n\n<p>Thomas,&nbsp;Richard&nbsp;\u2013&nbsp;<em>Ring\nof Fire<\/em>&nbsp;(<em>The Seven Deadliest<\/em>)&nbsp;(Cutting Block Books)<\/p>\n\n\n\n<p>Warren,&nbsp;Kaaron&nbsp;\u2013&nbsp;<em>Into\nBones Like Oil<\/em>&nbsp;(Meerkat Shorts)<\/p>\n\n\n\n<p><strong>Superior Achievement in Short Fiction<\/strong><\/p>\n\n\n\n<p>Chapman,\nGreg&nbsp;\u2013&nbsp;\u201cThe Book of Last Words\u201d&nbsp;(<em>This Sublime Darkness and\nOther Dark Stories<\/em>)&nbsp;(Things in the Well Publishing)<\/p>\n\n\n\n<p>Kiste,\nGwendolyn&nbsp;\u2013 \u201cThe Eight People Who Murdered Me (Excerpt from Lucy\nWestenra\u2019s Diary)\u201d (Nightmare&nbsp;MagazineNov. 2019, Issue&nbsp;86)&nbsp;<\/p>\n\n\n\n<p>Landry,\nJess&nbsp;\u2013 \u201cBury Me in Tar and Twine\u201d (<em>Tales of the LostVolume 1: We All\nLose Something!<\/em>) (Things in the Well Publishing)<\/p>\n\n\n\n<p>Little,\nJohn R.&nbsp;\u2013 \u201cAnniversary\u201d (<em>Dark Tides: A Charity Horror Anthology<\/em>)\n(Gestalt Media)<\/p>\n\n\n\n<p>MacKenzie,\nBrooke&nbsp;\u2013 \u201cThe Elevator Game\u201d(Who Knocks?\nMagazine&nbsp;Issue #2)<\/p>\n\n\n\n<p>O\u2019Quinn,&nbsp;Cindy&nbsp;\u2013\n\u201cLydia\u201d (<em>The Twisted Book of Shadows<\/em>) (Twisted Publishing)<\/p>\n\n\n\n<p>Serna-Grey,\nBen&nbsp;\u2013 \u201cWhere Gods Dance\u201d(Apex Magazine Issue #118)<\/p>\n\n\n\n<p>Waggoner,&nbsp;Tim&nbsp;\u2013\n\u201cA Touch of Madness\u201d(<em>The Pulp Horror Book of Phobias<\/em>)\n(LVP Publications)<\/p>\n\n\n\n<p>Westlake,\nJack&nbsp;\u2013 \u201cGlass Eyes in&nbsp;Porcelain Faces\u201d (Black Static Issue #70) (TTS\nPress)<\/p>\n\n\n\n<p>White,&nbsp;Gordon\nB.&nbsp;\u2013 \u201cBirds of Passage\u201d (<em>Twice-Told: A Collection of Doubles<\/em>)&nbsp;(Chthonic\nMatter)<\/p>\n\n\n\n<p><strong>Superior Achievement in a Fiction\nCollection<\/strong><\/p>\n\n\n\n<p><strong>Chambers, James&nbsp;\u2013&nbsp;<\/strong><em><strong>On the Night Border<\/strong><\/em><strong>&nbsp;(Raw Dog Screaming Press)<\/strong><\/p>\n\n\n\n<p>Chiang,\nTed \u2013&nbsp;<em>Exhalation: Stories<\/em>&nbsp;(Knopf)<\/p>\n\n\n\n<p>Evenson,\nBrian \u2013&nbsp;<em>Song for the&nbsp;Unraveling&nbsp;of the World<\/em>&nbsp;(Coffee\nHouse&nbsp;Press)<\/p>\n\n\n\n<p>Hodson,&nbsp;Brad\nC.&nbsp;\u2013&nbsp;<em>Where Carrion Gods Dance<\/em>&nbsp;(Washington Park Press)<\/p>\n\n\n\n<p>Howard,\nKat \u2013&nbsp;<em>A Cathedral of Myth and Bone: Stories<\/em>(Gallery\/Saga Press)<\/p>\n\n\n\n<p>Johnson,\nL.S. \u2013&nbsp;<em>Rare Birds: Stories<\/em>&nbsp;(Traversing Z Press)<\/p>\n\n\n\n<p>Jonez,&nbsp;Kate&nbsp;\u2013&nbsp;<em>Lady\nBits<\/em>&nbsp;(Trepidatio&nbsp;Publishing)<\/p>\n\n\n\n<p>Langan,\nJohn&nbsp;\u2013&nbsp;<em>Sefira&nbsp;and Other Betrayals<\/em>&nbsp;(Hippocampus\nPress)<\/p>\n\n\n\n<p>Read,&nbsp;Sarah&nbsp;\u2013&nbsp;<em>Out\nof Water<\/em>&nbsp;(Trepidatio&nbsp;Publishing)<\/p>\n\n\n\n<p>Tremblay,\nPaul \u2013&nbsp;<em>Growing Things and Other Stories<\/em>&nbsp;(William Morrow)<\/p>\n\n\n\n<p><strong>Superior Achievement in a Screenplay<\/strong><\/p>\n\n\n\n<p>Aster,\nAri \u2013&nbsp;<em>Midsommar<\/em>&nbsp;(B-Reel Films, Square Peg)<\/p>\n\n\n\n<p>Busick,\nGuy and Murphy, Ryan&nbsp;\u2013&nbsp;<em>Ready or Not<\/em>&nbsp;(Mythology\nEntertainment)<\/p>\n\n\n\n<p>Duffer\nBrothers, The&nbsp;\u2013&nbsp;<em>Stranger Things (Season 3,&nbsp;Chapter Eight:\nThe Battle of&nbsp;Starcourt)<\/em>&nbsp;(Netflix)<\/p>\n\n\n\n<p>Eggers,\nRobert&nbsp;and Eggers, Max&nbsp;\u2013&nbsp;<em>The Lighthouse<\/em>&nbsp;(A24, New\nRegency Pictures, RT Features)<\/p>\n\n\n\n<p>Flanagan,\nMike&nbsp;\u2013&nbsp;<em>Doctor Sleep<\/em>&nbsp;(Warner Bros., Intrepid\nPictures\/Vertigo Entertainment)<\/p>\n\n\n\n<p>Gilroy,\nDan \u2013&nbsp;<em>Velvet&nbsp;Buzzsaw<\/em>&nbsp;(Netflix)<\/p>\n\n\n\n<p>Hageman,\nDan and Hageman, Kevin \u2013&nbsp;<em>Scary Stories to Tell in the Dark<\/em>&nbsp;(1212\nEntertainment, CBS Films, DDY, Entertainment One, Rolling Hills Productions,\nSean Daniel Company, Starlight International Media)<\/p>\n\n\n\n<p>L\u00f3pez,&nbsp;Issa&nbsp;\u2013&nbsp;<em>Tigers\nAre Not Afraid<\/em>&nbsp;(Filmadora&nbsp;Nacional,&nbsp;Peligrosa)<\/p>\n\n\n\n<p>Peele,\nJordan \u2013&nbsp;<em>Us<\/em>&nbsp;(Monkeypaw&nbsp;Productions,&nbsp;Perfect World\nPictures,&nbsp;Dentsu, Fuji Television&nbsp;Network,&nbsp;Universal\nPictures)&nbsp;<\/p>\n\n\n\n<p>Sutherland,\nTeresa \u2013&nbsp;<em>The Wind<\/em>&nbsp;(Soapbox Films, Divide\/Conquer, Mind Hive\nFilms)<\/p>\n\n\n\n<p><strong>Superior Achievement in an Anthology<\/strong><\/p>\n\n\n\n<p>Beltran,\nPatrick and Ward, D. Alexander \u2013&nbsp;<em>The Seven Deadliest<\/em>(Cutting\nBlock Books)<\/p>\n\n\n\n<p>Brozek,\nJennifer&nbsp;\u2013&nbsp;<em>A&nbsp;Secret Guide to Fighting Elder Gods<\/em>&nbsp;(Pulse\nPublishing)<\/p>\n\n\n\n<p>Cade,\nOctavia \u2013&nbsp;<em>Sharp &amp; Sugar Tooth: Women Up to No Good<\/em>(Upper\nRubber Boot Books)<\/p>\n\n\n\n<p>Datlow,\nEllen \u2013&nbsp;<em>Echoes<\/em>&nbsp;(Gallery\/Saga Press)<\/p>\n\n\n\n<p>Golden,\nChristopher and Moore, James A.&nbsp;\u2013&nbsp;<em>The Twisted Book of Shadows<\/em>&nbsp;(Twisted\nPublishing)<\/p>\n\n\n\n<p>Guignard,\nEric J. \u2013&nbsp;<em>Pop the Clutch: Thrilling Tales of Rockabilly, Monsters, and\nHot Rod Horror&nbsp;<\/em>(Dark Moon Books)<\/p>\n\n\n\n<p>Johnson,\nEugene and Dillon, Steve&nbsp;\u2013&nbsp;<em>Tales of the Lost Volume 1: We All\nLose Something!<\/em>&nbsp;(Things in the Well Publishing)<\/p>\n\n\n\n<p>Jones,\nStephen&nbsp;\u2013&nbsp;<em>Best New Horror #29<\/em>&nbsp;(PS Publishing)<\/p>\n\n\n\n<p>Schweitzer,&nbsp;Darrell&nbsp;\u2013&nbsp;<em>Mountains\nof Madness Revealed<\/em>&nbsp;(PS Publishing)<\/p>\n\n\n\n<p>Wilson,\nRobert&nbsp;S.&nbsp;\u2013&nbsp;<em>Nox&nbsp;Pareidolia<\/em>&nbsp;(Nightscape Press)<\/p>\n\n\n\n<p><strong>Superior Achievement in Non-Fiction<\/strong><\/p>\n\n\n\n<p>Beal,&nbsp;Eleanor&nbsp;and&nbsp;Greenaway,&nbsp;Jonathan<em>&nbsp;\u2013&nbsp;Horror\nand&nbsp;Religion: New Literary&nbsp;Approaches to Theology, Race,\nand&nbsp;Sexuality<\/em>(University of Wales Press)<\/p>\n\n\n\n<p>Earle, Harriet E.H.&nbsp;<em>\u2013&nbsp;Gender, Sexuality,\nand&nbsp;Queerness in American Horror Story: Critical Essays&nbsp;<\/em>(McFarland)<\/p>\n\n\n\n<p>Eighteen-Bisang,&nbsp;Robert and Miller,\nElizabeth&nbsp;\u2013&nbsp;<em>Drafts of Dracula<\/em>&nbsp;(Tellwell&nbsp;Talent)<\/p>\n\n\n\n<p>Grafius, Brandon R.&nbsp;\u2013&nbsp;<em>Reading the Bible with\nHorror<\/em>(Lexington Books\/Fortress Academic)<\/p>\n\n\n\n<p>Heller-Nicholas,&nbsp;Alexandra&nbsp;\u2013&nbsp;<em>Masks&nbsp;in\nHorror Cinema: Eyes Without Faces<\/em>&nbsp;(University\nof Wales Press)<\/p>\n\n\n\n<p>Kachuba,&nbsp;John B.&nbsp;\u2013&nbsp;<em>Shapeshifters: A\nHistory&nbsp;<\/em>(Reaktion&nbsp;Books)<\/p>\n\n\n\n<p>Kr\u00f6ger,&nbsp;Lisa&nbsp;and&nbsp;Anderson,&nbsp;Melanie R.\n\u2013&nbsp;<em>Monster, She Wrote: The Women Who Pioneered Horror and Speculative\nFiction<\/em>(Quirk Books)<\/p>\n\n\n\n<p>Stobbart, Dawn&nbsp;\u2013&nbsp;<em>Videogames and&nbsp;Horror: From\nAmnesia to Zombies, Run!<\/em>&nbsp;(University of Wales Press)<\/p>\n\n\n\n<p>Tibbetts,&nbsp;John C.&nbsp;\u2013&nbsp;<em>The Furies of Marjorie\nBowen<\/em>&nbsp;(McFarland)<\/p>\n\n\n\n<p>Volk, Stephen&nbsp;\u2013&nbsp;<em>Coffinmaker\u2019s&nbsp;Blues:\nCollected Writings on Terror<\/em>&nbsp;(PS Publishing)<\/p>\n\n\n\n<p><strong>Superior Achievement\nin&nbsp;Short&nbsp;Non-Fiction<\/strong><\/p>\n\n\n\n<p>Clasen, Mathias \u2013&nbsp;<em>Evolution, Cognition, and Horror:\nA Pr\u00e9cis of Why Horror Seduces&nbsp;<\/em>(Journal of Cognitive\nHistoriography&nbsp;Vol 4, No 2)<\/p>\n\n\n\n<p>Hurley, Gavin F.&nbsp;<em>\u2013&nbsp;Between Hell and Earth:\nRhetorical Appropriation of Religious Space within&nbsp;Hellraiser&nbsp;<\/em>(<em>The\nSpaces and Places of Horror<\/em>,&nbsp;Vernon\nPress)<\/p>\n\n\n\n<p>Kiste, Gwendolyn&nbsp;\u2013&nbsp;<em>Magic, Madness, and\nWomen Who Creep: The Power of Individuality in the Work of Charlotte Perkins\nGilman<\/em>&nbsp;(Vastarien: A Literary Journal Vol. 2, Issue 1)<\/p>\n\n\n\n<p>Liaguno, Vince A.&nbsp;\u2013&nbsp;<em>Slasher Films Made Me Gay:\nThe Queer Appeal and Subtext of the Genre<\/em>&nbsp;(LGBTQ+ Horror Month:\n9\/1\/2019,&nbsp;Ginger Nuts of Horror)<\/p>\n\n\n\n<p>Mann, Craig Ian&nbsp;\u2013&nbsp;<em>The Beast Without: The\nCinematic Werewolf as a (Counter)Cultural Metaphor&nbsp;<\/em>(Horror Studies\nJournal Volume 10.1)<\/p>\n\n\n\n<p>Renner,&nbsp;Karen&nbsp;J.<em>&nbsp;\u2013&nbsp;The Evil\nAging&nbsp;Women of American Horror Story<\/em>&nbsp;(<em>Elder Horror: Essays\non Film\u2019s Frightening Images of Aging<\/em>,&nbsp;McFarland)&nbsp;<\/p>\n\n\n\n<p>Robinson, Kelly \u2013&nbsp;<em>Film\u2019s First Lycanthrope: 1913\u2019s\nThe Werewolf<\/em>&nbsp;(Scary Monsters Magazine&nbsp;#114)<\/p>\n\n\n\n<p>Waggoner, Tim \u2013&nbsp;<em>Riding Out the Storms<\/em>&nbsp;(Writing\nin the Dark)<\/p>\n\n\n\n<p>Weich, Valerie E.&nbsp;\u2013&nbsp;<em>Lord Byron\u2019s&nbsp;Whipping\nBoy: Dr. John William&nbsp;Polidori&nbsp;and the 200<\/em><em><sup>th<\/sup><\/em><em>&nbsp;Anniversary of\nThe&nbsp;Vampyre<\/em>(Famous Monsters of&nbsp;Filmland, Issue #291)<\/p>\n\n\n\n<p>Worth, Aaron \u2013&nbsp;<em>From the Books of Wandering:\nFin-De-Si\u00e8cle Poetics of a Supernatural Figure<\/em>&nbsp;(The Times Literary\nSupplement)<\/p>\n\n\n\n<p><strong>Superior Achievement in a Poetry\nCollection<\/strong><\/p>\n\n\n\n<p>Addison,\nLinda D. and&nbsp;Manzetti, Alessandro&nbsp;\u2013&nbsp;<em>The Place of Broken\nThings<\/em>&nbsp;(Crystal Lake&nbsp;Publishing)<\/p>\n\n\n\n<p>Cade,\nOctavia \u2013&nbsp;<em>Mary Shelley Makes a Monster<\/em>&nbsp;(Aqueduct Press)<\/p>\n\n\n\n<p>Coffman,\nFrank&nbsp;\u2013&nbsp;<em>The Coven\u2019s Hornbook &amp; Other Poems<\/em>&nbsp;(Bold\nVenture Press)<\/p>\n\n\n\n<p>Crum,\nAmanda \u2013&nbsp;<em>Tall Grass<\/em>&nbsp;(Independently Published)&nbsp;<\/p>\n\n\n\n<p>Davitt,\nDeborah L. \u2013&nbsp;<em>The Gates of Never<\/em>&nbsp;(Finishing Line Press)<\/p>\n\n\n\n<p>Lynch,\nDonna \u2013&nbsp;<em>Choking Back the Devil<\/em>&nbsp;(Raw Dog Screaming Press)<\/p>\n\n\n\n<p>Mitchell,\nZoe \u2013&nbsp;<em>Hag<\/em>&nbsp;(Indigo Dreams Publishing)<\/p>\n\n\n\n<p>Scalise,\nMichelle \u2013&nbsp;<em>Dragonfly and Other Songs of Mourning<\/em>(LVP\nPublications)<\/p>\n\n\n\n<p>Simon,\nMarge and&nbsp;Dietrich, Bryan D.&nbsp;\u2013&nbsp;<em>The Demeter Diaries<\/em>(Independent\nLegions&nbsp;Publishing)<\/p>\n\n\n\n<p>Ward,\nKyla Lee&nbsp;\u2013&nbsp;<em>The Macabre Modern and Other Morbidities<\/em>(P\u2019rea&nbsp;Press)<\/p>\n\n\n\n<p>Wytovich,\nStephanie M. \u2013&nbsp;<em>The Apocalyptic Mannequin: The Definition of Body is\nBuried<\/em>&nbsp;(Raw Dog Screaming Press)&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;m honored and thrilled to see that On the Night Border, published by Raw Dog Screaming Press, appears on the Bram Stoker Awards\u00ae Preliminary Ballot! It&#8217;s wonderful to see this collection continue to receive such a positive response from readers and the horror community! Congratulations to all those whose work appears on the ballot. This &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/www.jameschambersonline.com\/blog\/2020\/01\/on-the-night-border-on-bram-stoker-award-preliminary-ballot\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;On the Night Border on Bram Stoker Award Preliminary Ballot&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":1121,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4],"tags":[124,55,100,126,125],"class_list":["post-1172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-bram-stoker-award","tag-bram-stoker-awards","tag-horror-writers-association","tag-on-the-night-border","tag-raw-dog-screaming-press"],"_links":{"self":[{"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/posts\/1172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/comments?post=1172"}],"version-history":[{"count":4,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/posts\/1172\/revisions"}],"predecessor-version":[{"id":1272,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/posts\/1172\/revisions\/1272"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/media\/1121"}],"wp:attachment":[{"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/media?parent=1172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/categories?post=1172"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.jameschambersonline.com\/blog\/wp-json\/wp\/v2\/tags?post=1172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}